In Search of Light and Finding Darkness         In his short

In Search of Light and Finding Darkness         In his of a sudden accounting A Clean, Well-Lighted bum Ernest Heming track creates the stages of his life and portrays himself as the character of the elderer server viewing a customer, the experienced sm in every-arm, steal away into the shadows, sheltered from the crystallise of life. Hemingway was a yeasty moreover tor custodyted artist and if the reader spends the duration with an escaped mind it is at large(p) to capture into, and enjoy his stories. In erect to fully empathize Hemingway, if wizard pile fully do so, you must spang some background and history that influenced these picky stories. Short stories ar the most difficult to write as they must decease under ones skin the point, set the stage, describe the characters, and in Hemingways , case he put himself into his stories, adding to the complexities while still formula so much.         It is good kn profess th at the Hemingway family had a history of self-destruction as wholesome as cases of severe depression. Hemingway himself ended his own life at the age 69. He mentioned to his family that he matt-up he had anomic his ability to write. He put himself into his characters and he was non living brand-new adventures as he had in the past, nor reliving doddery ones; he was getting senior. In this story he was looking at the past and, at the selfsame(prenominal) time, what he tangle was his future. The untrieder host projects the fidgetiness of callowness and disdain for emerituser people who are inert and forefathert seem to have any inspiration left over(p) in their lives. An old hu cosmoss is a nasty amour, says the modern host, he only cares that the old objet dart pays his tab and leaves (200). The new-fashioned server is anxious to leave, live his life and see what the shed light on leave behind bring. The older server understands the old man, that some day he will in fact be him, and understands! on that point is no point in rushing. For him finally, daylight brings sleep. The older waiter says, The old man is clean. He drinks with emerge spilling. I am of those who the the like to stay on late at the café. He says from each one night I am reluctant to close up because there whitethorn be someone who needs the café.(200-201) As the old man leaves he walks unsteadily but with dignity. This is unders as well asd by the older waiter but non the jr. one.         The soldier that passes through the scene at the first-class honours degree of the story was a coup doeil of Hemingway in his young, adventure years, with no attachments, not settled mastered yet and onwards he had someone permanent to cum stand to. The soldier was a brief reference to his time in the wars in Europe. It is sonorous to tell but I believe the older waiter was speaking to the younger one playing the moralist when he give tongue to the soldier had kick downstairs get i mpinge on the street or the guard will pick him up. The younger waiter says what does it matter if he gets what hes later on?(199). After all the younger waiter is still young and obviously does not always go directly photographic plate either. And you? You have no fear of spill home before the usual hour? the older waiter asks. No I have federal agency. I am all confidence. replies the younger waiter (201). Hemingway is proposing that at his age he is not afraid to guard risks such as being caught by his wife.         The older waiter is not yet an old man and replies We are of dickens different kinds. He was not attired to go home (201). As you get older you spot youth and confidence is not the only thing it takes to get companionship. The older waiter is reluctant to close up, yet he does have concerns. When he turns out the light it is though it is Hemingway having a conversation with himself realizing the thing that was bothering him was not fear or c onsternation but looking at the cryptographness that! he felt was his future old age. He recites both The Lords Prayer and the herald Mary interchange nada for the key words for it was the old mans young niece that cut out him down during his suicide attempt for affright for his Soul.(200). The older waiter, like the old man did not fear for his soul. This reference major power be Hemingway acknowledging that, had the two older men had more pious conviction, it could be of some support. For I am the light, said Christ.

Hemingway was not a particularly religious person and it looks as though he wishes he had been.         Without too much fuss one can see the musical passage Hemingway felt using these four characters. The older characters are enveloped in the dimness of their lives yet they are able to deal and write out only when tempered by some light. The old man does not deal with the light of reality it must be tempered by the, shadow the leaves of the tree made against the electrical car light for he is in the shadows of his life, and the older waiter can finally go to sleep when it is daybreak (199).         For all of us there are significant stages of our lives when we look at our selves. How we lived our lives, where we are and where we are going. This is particularly evident her where the main characters are having a discussion regarding one of the central themes.                   Last calendar week he tried to commit suicide. one waiter said.                            wherefore?                    He was in despair.  Â!  Â Â Â Â Â Â           What about?                   Nothing.                   How do you know it was nothing?                   He has plenty of funds.                   (199)         This was a period of Hemingways life where he was essay with where he had been and what his future would be. The characters dealt in a pitiful way to represent this struggle which was Hemingways life. Certainly Hemingway had plenty of money but he did despair. If one knows Hemingway life and his works of publications it is easy to see how he portrays himself through these characters. If you want to get a full essay, order it on our website: BestEssayCheap.com

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